By Craig Kallendorf
This booklet, that is the 1st finished research of its topic, exhibits that the Roman poet Virgil performed an without warning major position within the shaping of Renaissance Venetian tradition. Drawing on reception thought and the sociology of literature, it argues that Virgil's poetry turned a best-seller since it occasionally challenged, yet extra frequently proven, the categorical ethical, non secular, and social values of the Venetian readers.
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Extra resources for Virgil and the Myth of Venice: Books and Readers in the Italian Renaissance
2, 15 (1975), 68. Page 14 (The august city of Venice rejoices, the one home today of liberty, peace and justice, the one refuge of honorable men, the one port to which can repair the storm-tossed, tyrant-hounded craft of men who seek the good life. 41 I would like to sort through them once more, not in order to attempt an original contribution to the historical study of the myth of Venice, but to organize the material in a somewhat different way that will be useful for the discussion to follow.
In this study, names of scholars and printers generally appear in the form most commonly used today. I have preferred a Latin form in discussions of those who wrote in Latin and an Italian form for those who wrote in the volgare, but I have ultimately favoured intelligibility over consistency here. Usage of i/j and u/v has been adjusted to modern standards; otherwise my quotations from early texts preserve the original orthography but not the vagaries of Renaissance punctuation and capitalization.
An unusually thoughtful analysis of the complex nuances of the myth and its effect on Venetian historiography may be found in James S. Grubb, 'When Myths lose Their Power: Four Decades of Venetian Historiography', Journal of Modern History, 58 (1986), 4394. 42Civilization of the Renaissance, 89. Page 15 older generation. 43 Hand in hand with the cultivation of moral rectitude went the cultivation of religious piety. Venice offered an enormous number of churches, sacred objects, and religious processions that created an air of sanctity that struck both residents and visitors alike.
Virgil and the Myth of Venice: Books and Readers in the Italian Renaissance by Craig Kallendorf