By Frederick C. Crews
Number of fictional and funny yet real-life-looking interpretations of Winnie-the-Pooh from a number of theoretical elements
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Wolfgang Henze, acters taken from pleted each other that, in Although he style. development in this respect. Already the early, wooden Crouching IVoman, taken as a total composition, is an absolute hieroglyph of the term Crouching. The composition of the body, which has been condensed Into the cube, could not have been rendered more In- our day the only sculptor whose forms cannot be in openly admired his tensely or unequivocally. At the artist. museums and private collectors own a something who France.
That clay, directly hollow bodies of a thousandfold variety, can be fired as a true original, then the greatness of its specific qualities will stimulate us to take advantage of ther the unavailability of the material nor the tech- the unprecedented freedom that the use of clay gives nical difficulty of the firing process, but rather the fact us that today's artists, in spite of their daily handling of The experience of this freedom overwhelms anyone who has been in a position to witness the emergence of such original works of art, and we removed from actually working specific qualities.
Detail) Marienkirche, Liibeck; destroyed. 38 HEISE amazing phenomenon - a work of modern craftsmanship and spirit proved to be equal to the architectural power of the Middle Ages. For in comparison, the work did not disappoint; it formed a harmonious sound vrith window, pillar, and cross vault. The seeming arbitrariness of intensely personal creativity derived [its] laws and proportions from the surrounding architecture. Anyone familiar with the tasks of practical art administration knows what this placement means.
The Pooh Perplex. A Freshman Casebook by Frederick C. Crews