By Kate Mckinnon
Leading edge jewellery artist Kate McKinnon takes you on an inventive trip of thoughts and tasks within the jewellery Architect as she makes use of various fabrics and instruments to create gallery-quality bracelets, necklaces, and jewelry. appealing colour pictures and obviously written directions provides you with the development blocks to mix wirework, steel clay, beadwork, and standard metalsmithing to create exceptional, wearable artwork pieces.
Learn find out how to mix innovations and the way to fabricate various elements akin to clasps, hooks, earring findings, and ring bases to customise your paintings. enjoy Kates signature type, an earthy melange of steel, beads, and fibers, as you are making sixteen stunning fashion-forward tasks. moreover, the jewellery Architect stocks tips about the easiest how you can make stronger beadwork, bind edges, string parts, shape steel clay ring bands, fuse earrings, create head pins, and quite a bit more.
With the jewellery Architect, you'll find out how blending innovations and media can create art-to-wear jewellery.
Read or Download The Jewelry Architect Techniques and Projects for Mixed-Media Jewelry PDF
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Additional info for The Jewelry Architect Techniques and Projects for Mixed-Media Jewelry
See our instructions in The Crazy Binding for sewing on your binding and finishing your quilt. Using only four different threads and a single decorative stitch made this quilt come together fast. Materials Top Squares Backing Squares Sashing & Binding 90"-wide Batting 45"-wide Batting Decorative Threads 16 fat quarters 16 fat quarters or 4 yd. 2 yd. 2 yd. 4 yd. 40-weight* rayon in silver and 3 shades of blue *Manufacturers: Sulky 40-weight rayon 55 Double Queen Quilt Marguerita McManus I made this beauty from a collection of ﬂoral fabrics by Rose & Hubble and a tonal periwinkle blue by Kona Bay and sashing fabric by RJR.
1½ yd. 3 yd. ) When I was trying to decide what to put on the back, I thought the obvious choice was to use the same fabrics as the top since I loved them so much, but a black and white fabric with a very large print caught my eye and I couldn’t get it out of my mind. I kept picturing that black and white print with decorative stitching across it in all my favorite bright colors. I decided I had to give it a try, and I used several diﬀerent colors of rayon thread to do my quilting. I liked the results so much that I thought the best accent would be to use lots of bright fabric colors in the sashing.
The greens, rust, maroon and golden colors are soothing and the straight-line design conveys unity and balance. Many of the fabrics on the top have a “metallic” sheen to them, and I decided to repeat this element on the back, using just one single shimmery gold fabric. This makes a dramatic second quilt with the black sashing and black decorative stitches. Number of Squares: 12 Square Size: 17" x 18" Finished Size: 51" x 72" 40 Usin g fa t qu arte ma r bund kes a ve les of fa ry w b ell b ric from alan ced a singl colo e fab r pa r lette ic com pan .
The Jewelry Architect Techniques and Projects for Mixed-Media Jewelry by Kate Mckinnon