Spirits Unseen: The Representation of Subtle Bodies in Early - download pdf or read online

By Christine Gottler, Wolfgang Neuber PH.

ISBN-10: 9004163964

ISBN-13: 9789004163966

ISBN-10: 9047423593

ISBN-13: 9789047423591

Spirits ethereal, risky sophisticated our bodies' occupied a imperative position in early sleek eu tradition. on the fringe of the obvious and perceptible, "spiritus" may symbolize a vast number of refined components, either typical and divine: the vapours relocating contained in the physique, the weather of air and fireplace, angels, demons and spectres, the Holy Spirit and the human soul. Spirits functioned as intermediaries among contrary worlds with always transferring borders. This booklet investigates particular meanings and makes use of of "spiritus" in numerous early smooth disciplines and fields body structure, psychology, alchemy, theology, demonology, paintings idea, song conception, novels and the literature on love therefore revisiting the ambivalent historical past of a significant historical thought in a interval of difficulty and alter. participants comprise: Wietse de Boer, Sven Dupre, Jennifer Frangos, Axel Christoph Gampp, Christine Gottler, Berthold Hub, sunrise Morgan, Wolfgang Neuber, Bret Rothstein, Rose Marie San Juan, Wilhelm Schmidt-Biggemann, Justin E. H. Smith, Paul J. Smith, Thijs Weststeijn, and Sarah F. Williams."

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Extra resources for Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture (Intersections)

Sample text

Wie ich nun ein wenig entschlief, da hebts an der Treppen ein solches Gepolter an, als würfe man ein Schock Fässer die Treppen hinab; so ich doch wol wußte, daß die Treppe mit Ketten und Eisen wol verwahret, daß Niemands hinauf konnte; noch Àelen so viel Fasse hinunter. Ich stehe auf, gehe auf die Treppe, will sehen, was da sei; da war die Treppe zu. Da sprach ich: Bist du es, so sei es! Und befahl mich dem Herrn Christo [. 31 – When I went to bed at night I took off my clothes in the parlour, put out the light too, and went into the chamber, lay down on the bed.

Frauenzimmer Gesprächspiele 370. , Sein Leben, von ihm selbst erzählt (ed. A. Schmiedecke, Preface R. Alewyn) (Göttingen: 1965) 154. , Sein Leben, von ihm selbst erzählt 149–152. 52 poltergeist the prequel 15 and the time of the event, which he would have heard of himself, as he was a Weißenfels resident in 1699. The tale goes as follows: A miller has a row with a tailor at a tavern about a girl. The tailor with a shovel batters the miller who subsequently expires in the general room because nobody would call a doctor or a parson.

FIRE, SMOKE AND VAPOUR. 2 In the Schilder-Boeck, van Mander frequently uses the word ‘aerdigh’ to describe the aesthetically pleasing quality of small works or small details;3 here, ‘aerdigh’ refers to the natural and lively depiction of Àres. As it has been observed, van Mander’s list of Bosch’s painterly expressions echoes Erasmus’s often-cited eulogy on Dürer in the Dialogus de recta Latini Graecique sermonis pronuntiatione (Dialogue About the Correct Pronunciation of Latin and Greek), published in Basel in 1528.

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Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture (Intersections) by Christine Gottler, Wolfgang Neuber PH.


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