Get Media Inter Media: Essays in Honor of Claus Cluver PDF

By Stephanie A. Glaser

ISBN-10: 9042028424

ISBN-13: 9789042028425

This interdisciplinary quantity explores, analyzes, and celebrates intermedial approaches. It investigates the dynamic kinfolk among media in modern inventive productions corresponding to digitalized poetry and installations or musical ratings via Walter Steffens and Hugh Davies; in texts like Dieter Roth's diaries, Ror Wolf's guidebooks, Charles Baudelaire's artwork feedback, or Lewis Carroll's Alice books; and in inherently intermedial items like Stéphane Mallarmé's Un Coup de Dés and Augusto de Campos's poetry. via exact and numerous methodological techniques to intermedial inquiry, the individuals probe a number of varieties of interplay among media: model, appropriation, transposition, move, recycling, grafting, recontextualization, intertextualization, transmedialization, and transcreation. In so doing, they provide views which refine our realizing of the time period 'medium' and display ways that intermedial creations have interaction their audiences and stimulate artistic responses. Written in honor of Claus Clüver, a groundbreaking chief in intermediality reports, the essays perform and increase the scope of present discourses within the foreign discussion board. the variety in their matters and methodologies will curiosity literary students, paintings historians, musicologists, students of recent media in addition to these operating in intermediality reports, notice and picture or be aware and song stories, and somebody whose pursuits go conventional disciplinary limitations.

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Additional resources for Media Inter Media: Essays in Honor of Claus Cluver

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9 On this see Chipp 1988: 135: “Although some writers continue to argue that this is either an interior or an exterior scene, it seems apparent that the background and foreground shapes, like a stage set, actually suggest both in different places. Thus Picasso, by indicating at one place one view and at another place another, tells us that there is no single, simple interpretation. ” Resounding Images 47 language but as if anchored by a repeatedly sounding, unadulterated D-major chord, which, while invariably reached in a non-cadential approach, serves as a dependable harmonic reassurance10.

9 On this see Chipp 1988: 135: “Although some writers continue to argue that this is either an interior or an exterior scene, it seems apparent that the background and foreground shapes, like a stage set, actually suggest both in different places. Thus Picasso, by indicating at one place one view and at another place another, tells us that there is no single, simple interpretation. ” Resounding Images 47 language but as if anchored by a repeatedly sounding, unadulterated D-major chord, which, while invariably reached in a non-cadential approach, serves as a dependable harmonic reassurance10.

Komparatistik (2000/2001): Jahrbuch der Deutschen Gesellschaft für allgemeine und vergleichende Literaturwissenschaft. Heidelberg: Synchron Publishers. 14–50. — (2005). “Mini-Icons: Letterforms, Logos, Logopoems”. Claus Clüver, Véronique Plesch, Leo Hoek, eds. Orientations: Space/ Time/Image/Word. Word & Image Interactions 5. TEXTXET 43. Amsterdam/New York, NY: Rodopi. 263–285. — (2007). “Intermediality and Interarts Studies”. Arvidson/Askander/ Bruhn/Führer, eds. 19–37. The Compact Oxford English Dictionary (1994).

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Media Inter Media: Essays in Honor of Claus Cluver by Stephanie A. Glaser


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