By Heiko Motschenbacher
This ebook makes a speciality of linguistic practices of id building in a well-liked tradition media context, the Eurovision track Contest. Subscribing to a normativity-based method of serious discourse research, it stories Europeanisation because it surfaces on the discursive interface of eu, nationwide and sexual identities in Eurovision lyrics and performances. examine in severe discourse research that bargains with Europeanisation, or the discursive paintings desirous about eu id formation, has to this point normally studied info from european political contexts that illustrate a top-down method of what Europeanness capability. the current ebook enhances this previous study in different methods, targeting the linguistic building of identities, and its interrelation with non-linguistic modes of signification within the Eurovision tune Contest. Discursive mechanisms that end up to be crucial for the normative shifts of Europeanisation within the given context are de-essentialisation, inclusion, camp, crossing and languaging.
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Additional resources for Language, Normativity and Europeanisation: Discursive Evidence from the Eurovision Song Contest
Their song “Face the shadow” repeatedly uses the imperative Don’t deny in the chorus, alluding to TUR’s refusal to acknowledge the genocide on thousands of Armenians that took place between 1915 and 1918. Recent contests have also drawn the attention to the problematic role of RUS as a political actor on European soil (see Carniel 2015; Cassiday 2014; Johnson 2014; Meerzon and Priven 2013). —“Ne ver’, ne bojsia”; RUS 2008: Dima Bilan—“Believe”) or peace hymns (RUS 2013: Dina Garipova—“What if ”; RUS 2015: Polina Gagarina—“A million voices”) revealed a widely perceived clash with internal and external Russian politics.
Tunisia intended to enter the contest in 1977, but in the end withdrew—allegedly because ISR also participated, and officially because it was not happy with its early starting position (O’Connor 2005: 68). Another incidence, foreshadowing the war between Lebanon and ISR in 2006, took place when Lebanon registered for the ESC 2005. The country had already chosen a song (Aline Lahoud—“Quand tout s’enfuit”), but withdrew only two months before the event because the national television station was not willing to broadcast the Israeli entry.
Insieme—unite, unite, Europe. (“Europe is not far away. This is an Italian song for you. ”). ) so you know we don’t have a song for you this year but we promise that next year we will give you the best one Sakis (host): We need you In his reply, Sakis Rouvas, the host of the show, co-constructs the announcer’s statement by framing SEM’s absence from the contest in terms of a loss. Interestingly, the announcer from SEM predicted the victory of SER in 2007 in this exchange. The ESC has helped quite a number of artists acquire international fame.
Language, Normativity and Europeanisation: Discursive Evidence from the Eurovision Song Contest by Heiko Motschenbacher