By A. Acheraïou
Joseph Conrad and the Reader is the 1st e-book absolutely dedicated to Conrad's relation to the reader, visible thought and authorship. This hard research proposes new techniques to trendy literary feedback and deftly examines the bounds of deconstructionist theories, introducing groundbreaking new theoretical suggestions of examining and reception.
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Extra info for Joseph Conrad and the Reader: Questioning Modern Theories of Narrative and Readership
Orzeszkowa’s staunch defence of her endangered national culture may Polish Responses: Art and the Ethics of Collectivity 29 well account for her indictment of Conrad’s detachment from his cultural background. 5 Conrad read and held both authors in high esteem. He even referred to Słovacki as ‘l’âme de toute la Pologne’ (‘the soul of all Poland’; cited in Najder 1983b, 199); a phrase that might have had a lowering effect and an ironic sense to someone consistently accused by his compatriots of having sold his own soul to the English.
Orzeszkowa’s theory of collectivity, binding every Polish writer to the country’s fate, demanded that Conrad – a naturalized British citizen with a confessed dual allegiance – show unqualified loyalty to Poland, as if his adoption of English culture and modes of thought had never taken place. From Orzeszkowa’s perspective, Conrad’s lack of commitment to Poland’s struggle for liberation was synonymous with treason. Her discourse reveals a manifest blurring of frontiers between the real and the ideal, the individual and the community, fiction and politics.
Stephen Brodsky’s essay, ‘Conrad’s Two Polish Pasts: a History of Thirty Years of Misrule’, is a good case in point. In this article, Brodsky reiterates most of Najder’s observations and tends to reduce Conrad’s entire thematics to the sole idea of ‘interior honor’.
Joseph Conrad and the Reader: Questioning Modern Theories of Narrative and Readership by A. Acheraïou