By Nancy Megan Corwin, Tim McCreight, Doug Yaple
Nearly each tradition with a historical past of metalsmithing has validated entire paintings within the complementary suggestions of chasing and repoussé. This lavishly illustrated ebook offers first-time artists with adequate details to start, but additionally bargains complicated staff insights into layout and strategy. virtually 500 pictures and drawings warrantly not just transparent guideline yet bounteous concept.
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Additional resources for Chasing & Repoussé: Methods Ancient and Modern
Traditionally, the best chasing hammers are from Germany but the quality of tools from other countries is improving and the cost is often considerably less. Because chasing hammers last a lifetime, the cost of the best tool possible seems worthwhile. Japanese chasing hammers are designed to be used with small and light Japanese chasing tools and chisels. They have straight handles, the length of which is determined by the weight of the forged steel heads. The result is a perfect balance of striking force and whip.
Compare this curved gentle indentation to the sharper mark made by a liner. Matting Tools Matting tools have working faces with subtle all-over marks that create consistent textures rather than recognizable patterns. The matte finish made by these tools is subtle enough to create a non-reflective soft appearance that will cover up superficial scratches and slips. These finishes are commonly used on the entire background of an image that has been developed through chasing and repoussé. Matting tools can be purchased or made in the studio; a common approach is to strike annealed steel onto a file to pick up the impression of the teeth.
Chasing Tools Liners Straight liners are used to make sharp indents in metal sheet without cutting through. This results in raised lines on the back side. In a sense, liners are to a chaser what a pencil is to an illustrator—the best way to sketch a line. The working tip (the end that contacts the work) is tapered to a wedge to allow the best view of the working zone. This is first made sharp, then “softened” just a bit by dulling the edge with sandpaper so the tool doesnt cut through the metal.
Chasing & Repoussé: Methods Ancient and Modern by Nancy Megan Corwin, Tim McCreight, Doug Yaple