By Mary Caroline Richards
A flowing selection of poetry that also is a consultant for all times.
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Additional resources for Centering in pottery, poetry, and the person
Poetry stretches our feelings and perceptions, our intuitions and "our sense of world as entity" (p. ). In other words, poetry is a centering discipline, a discipline of prayer, a way of developing the mystic within by connecting to all without. " 3 This "passing through an inner form" is the demand that poetry makes on us. The potter's wheel makes the same demand: the demand to center. It is the taking in and the giving out. And what we center is nothing less than the entire universe in which we live, move, and have our being.
By grace we may come free. And best of all we may find our sense of humor enormously expanded through the warmth of our heart center, that deepset crossing point. One last testimony to the metabolism of Centering. It is new! It brings us what we don't already know. We have not seen it face to face, but we have had sightings. They have come through language with an alteration in the traditional roles of poetry and prose. I do not think now about which one I am writing in, except when my soul begins Page xxiv to feel as if there is too much light, too much clarity, too much illusion of meaning, of earnestness, too much spiritand then I dive for cover, for dark, for wet, and come up moistened and renewed, and speaking (or singing) a different tone.
As that new person, we may find, yes, that yesterday is over, and we do not perpetuate old confusions. We do not cling to the savagery of nationalisms, or the shame we feel for being as we are. We stand on the shore of an ocean and the pure wind blows us fresh and we wake out of an anguish of inner conflict into a deep breath that lets us rise to our feet and in a new levity we dance. It could be said that fidelity to the processes of Centering is a path to full breathing, to a balance willingly at risk.
Centering in pottery, poetry, and the person by Mary Caroline Richards